Column on Cultbytes

My writing 

Opera as Operations in Experimental Music Yearbook
Article on the School of Making Thinking’s conference Between Words and [___] in Montreal (culturebot)
Review of Arahmaiani and Ayana Evans at Grace Exhibition Space in Performance is Alive
Good Dog! Bad Dog! Anya Liftigs Twin High Maintenance Machines (originally published on Peri0d Magazine)
On fear: touring, the privilege of auto-intervention, and scaring oneself (Peri0d Magazine)
Tour Diary blogging on Culturebot, March 2014
Discipline in our Time: Rants of a Wartime Performance Artist
Escaping the Fabrication of Art (in conversation with Lindsey Drury)
Performance Art and You (Hyperallergic)

Press (for PPL/performance work)

Daniella LaGaccia review: “Memories of the Body, Tempting Failure Day 6 _ INCIDENT Magazine” on Tempting Failure performance The Scraping Shape of the Socially Cyclomythic Womb
New York Arts
Huffington Post
The Guardian
Hyperallergic (2012 opera) (2017 opera)
Village Voice


With Ayana Evans, have you heard of Esther Neff? in Cultbytes
With Li Cata, In Discussion for Critical Correspondence (Movement Research)
With Oscar Mac-Fall, Performance vs. Nature in Monika Magazine
With John Thomas for Esther Neff + Panoply Performance Laboratory in  Creative Sugar
Allison Klion for Nine Performance Artists in Art Experience NYC
With Laura Flanders for Resisting Commodity, Promoting Democracy on GRITtv


Embarrassed of the Whole Operating Manual
Any Size Mirror is a Dictator
The Transformational Grammar of the Institutional Glorybowl Institute_Institut  (full recording here)
The Last Dreams of Helene Weigel Or How to Get Rid of The Feminism Once and For All
Workforce/Forced Work
On the Cranial Nerves of Barbarians
The Silviculture Museum
Schooled and Unschooled

“Political Content + other”
On Situations_Proposal
Performing Unwhitely_Becoming Imaginary I- Theory 07_12_2016
Liberation Economics and Performance Art
NOT BUYING INTO IT_dismantlingwhitenessandpatriachryviaformsoflife